What was the mission of the project?

The Aspen section of The Art of Flight was all about filming the athletes take on the incredible jumps and half pipe that was being constructed. We spent a week in the field setting up several motion timelapse setups each day. Each shot took between 2-3 hours to setup and 6-8 hours to film. We mostly worked the graveyard shift as a lot of the work was done from when the sun went down to when it came up.

A little background on Tyler Ginter.

I am a passionate Timelapse Photographer, Filmmaker and Producer. I have always enjoyed the creative and technical challenges of filming in remote locations around the world and Art of Flight was one of the most incredible experiences I’ve ever had. I spent the past four years on active duty as a Captain assigned to 55th Combat Camera, the only active duty Combat Camera Company in the United States Army. I served as a Platoon Leader in Operation Iraqi Freedom for nine months in charge of a team of 22 filmmakers and photographers who documented the war in support of combatant commanders’ tactical, operational, and strategic objectives.

What equipment was used? And why is this gear the gear of choice?

We used the Kessler Crane ShuttlePod and PocketJib to pull off the shots in the Aspen section of Art of Flight. We would construct 20 feet of track on the ShuttlePod to do the shoot, then move, then shoot dolly shots. We also setup the PocketJib to slowly dolly up or down over a 6-8 hour period. For a few of the shots, we attached the PocketJib to the ShuttlePod so we could extend the reach of the camera over a half pipe ledge.  I have used Kessler systems for all my timelapse work and they work flawlessly in a variety of harsh weather conditions including the extreme heat and cold. It was also important for the gear to be portable enough for us to transport the rigs up and down the mountain each day.

Tell us about some of the challenges of this shoot?

The biggest challenge was the inconsistant weather conditions on the mountain. We would spend hours setting up a timelapse shot and the clouds and weather would be perfect. Then, after only a few hours into a 6 hour timelapse move, it would start dumping snow and the entire shot would be ruined. Moreover, wind played a huge factor in getting stable timelapse moves. We had to use shoot, move, shoot on the Kessler Motion Control system so each frame would have time to settle from the wind before an exposure was taken.

What were the shots that you got? Were you happy with the results?

Tyler: I setup a 20 foot astro timelapse dolly shot in the half pipe with the milky way in the background. Unfortunately, this shot was ruined on my first attempt due to my fill light malfunctioning from the extreme cold. Curt understood the situation and told me that I needed to try it one more time. So, I stayed out again until 2am the next night making sure every last variable of the shot was perfected and working properly. As a result, I pulled off the shot successfully the second time thanks to Curt and his leadership as a Director to keep pushing me.

National Geographic Channel, PBS and Discovery Channel emerged as multiple winners at the 32nd annual News & Documentary Emmy Awards held last night in New York City.

Discovery Channel’s First Life with David Attenborough from Atlantic Productions claimed the award for outstanding nature programming, as well as nods for writing and graphic design and art direction.

PBS strands ‘POV’ and ‘Independent Lens’ brought in several honors for the public broadcaster, with Robert Kenner’s Food Inc. named best documentary and also getting the prize for outstanding informational programming – long form.

Presumed Guilty from filmmakers Roberto Hernández and Geoffrey Smith, also airing on ‘POV,’ received the award for outstanding investigative journalism – long form, while another ‘POV’ doc, Landon von Soest’s Good Fortune, was honored for outstanding business and economic reporting – long form.

National Geographic Channel’s Restrepo: Afghan Outpost, directed by Sebastian Junger and the late Tim Hetherington, took awards for outstanding continuing coverage of a news story – long form, and a craft award for editing. NGC’s epic natural history series Great Migrations (pictured) took the honors in cinematography for a nature program….

Read more: http://realscreen.com/2011/09/27/nat-geo-pbs-discovery-channel-take-multiple-news-documentary-emmys/#ixzz1bKiVguwe

Check out the music from “The Art of FLIGHT” and download songs from Apple iTunes using the widget or by clicking on the note icon below.

“The Art of FLIGHT” movie was released September 2011 and premiered to enthusiastic audiences around the US and is on a world tour throughout the fall. Didn’t get a chance to see it? Download the flick from iTunes HERE.

Want to learn more behind the scenes info about the music? Director/cinematographer Curt Morgan talks about the soundtrack for the film in this VIDEO.

The M83 tracks in the soundtrack are from their new album “Hurry Up We’re Dreaming,” which was released Oct 18, 2011.

Segment	Artist	Song	iTunes
Intro 1	Defrag	Element l1
Intro 2	M83	Outro
So Far Gone 1	Hendrickson/Dick/Harry	Before the Storm
So Far Gone 2	Deadmau5	Ghosts ‘n’ Stuff (feat. Rob Swire)
Down Days	Oswin Macintosh	Passion Victim
Wizard	The Naked and Famous	No Way
No Bueno	Apparat	Ash/Black Veil
Darwin 1	Klaus Badelt	Nowhere to Run
Darwin 2	Blockhead	Sunday Seance (Loka Remix)
Home 1	The Album Leaf	Another Day
Home 2	The Naked and Famous	Young Blood
Home 3	Mel Wesson	Motional Rescue Pulse
Avalanche 1	Mel Wesson	Stark Light
Avalanche 2	Sigur Ros	Track 6
Where the Water Flows like Wine	M83	Intro
Revelstoked	Hum	Iron Clad Lou
More stoked	The Black Angels	Young Men Dead
Even more stoked	M83	My Tears Are Becoming A Sea
Credits 1	Okkervil River	Westfall
Credits 2	We Are Augustines	Chapel Song
Teaser	The Three Corners Of The Earth	Fire Shall Devour Them

For more on the story and photos at Buoloco.com